Mara is a composer and curator based in Eora / Sydney. She plays the viola and collaborates with her laptop to create live performances and recorded pieces for film, dance, and gallery spaces. Informed by interactions and perspectives within environments, her work questions the coexistence and understanding between those who inhabit them
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Kathleen Yearwood is a vocalist, composer and electric guitar player coming out of folk tradition and immersed in musique concrete and noise. She invented a form called “Filth Opera” which expresses the life of the poor in an industrialized world. Her compositions long for a time of peace and look forward to the victory of the natural world.
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Helen Svoboda is a double bassist, vocalist and composer. Her work explores the melodic potential of the contemporary double bass, intricately weaving extended techniques and overtones with vocal tessiture amidst abstract song-writing and vegetable-themed compositions
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Hassina Sakhri is an electroacoustic artist creating visionary soundscapes that are both healing and contemplative, drawing from intuition and the intellect. Her works strike a balance between control and improvisation. Hassina creates sonic art both in stand-alone pieces as well as for meditation.
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Jo (Josephine) Truman is a composer/ performer/improviser and sound artist. She has a BA in Communications (UTS – majoring in sound and writing) and an MMus (Composition – Sydney Conservatorium of Music) with her research thesis on extended vocal techniques in New Music. She has received various awards for her work – a Special Purpose Award and an International Study Grant which took her to Europe where she lived for 19 years, performing in many festivals such as the Le Mans Jazz Festival, the Strasbourg Musica Festival, Heineken Jazz Fest…
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Casey Moir is an Australian born, Swedish based vocal-artist, improviser, and composer. Intrigued by unconventional sounds and extended techniques, the investigation into the rich sound spectrum of the voice is an integral part of her artistic practice and endeavours.
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Denitsa Mineva is a Berlin based acoustic music artist. She works in the fields of free improvisation, experimental music, avantgarde, real-time composition, Echtzeitmusik, instant composition, sound art & design. She plays violin, piano, cello and objects.
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Fulya Uçanok is an electroacoustic musician and pianist, composing, performing, and improvising. Her work takes forms of score-based or improvised performance, composition and artistic research. She works with acoustic pianos coupled with a variety of objects (inside-piano technique), electronics and sound recordings.
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Mareike Dobewall is a director, scenographer, musician and composer. She is based in Stockholm since 2016. She studied filmmaking in Berlin, scenography at the Norwegian Theatre Academy and choreography at HZT in Berlin. Her specialisation lies in the creation of spatial sound performances.
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Sarah Buchner is an improviser, experimental vocalist and composer based in Copenhagen. She is working with sonic fragmentation of human expression. She generates her sound through exploring acoustic spheres past common singing techniques, as well as de-contextualizing sounds of daily non-verbal communication.
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Cynthia Zaven is a composer, pianist and artist based in Beirut. Her projects combine a variety of media including video, photography, performance and the use of archive material to explore the relationship between sound, memory and identity through interwoven narratives.
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Trained as a pianist, Patricia Dallio composes and interprets electronic music for keyboard and sensors. She pushes stylistic boundaries, and experiences include jazz, rock, experimental sonor art and contemporary music. Member of Art Zoyd for 30 years (1979 – 2009), she runs the “sound track” music company.
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Jacqui O’Reilly is a Pākehā artist, researcher and musician from Aotearoa New Zealand, now based in Sydney Australia, on the unceded land of the Gadigal people of the Eora Nation. Jacqui is interested in the creative act as acknowledgement of what has happened in the past and what could happen in the future through embodiment within the more-than-human world.
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I am an acoustic ecologist, sound artist, composer, musician and educator. I seek spaces with limited anthropogenic sounds including infrasound interactions. With an ongoing quest for sonic immersion and creative compositional devices with authenticity and inspiration I delve into an organic landscape of sound.
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Amias Hanley is an artist currently living on Wurundjeri Country in Melbourne, Australia. Their practice uses sound and media to explore relations among queer ecologies, attunement, situatedness and speculative practices.
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Laura Pronestì is a professional sound engineer from Milan, Italy. She has two main projects: Elephant in Siberia, an electro-jazz duo with Chantal Antonizzi; and Recording Atlas, a website in which we created a visual atlas of sound recordings, an interactive map in which visual and acoustic stimuli are matched.
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Khabat Abas is an experimental cellist and improviser from Kurdistan Iraq. Her work based on sound research, beginning with the acoustic cello, prepared cello and recently with adapted cello; all this is a creation of a place full of fissures and hidden corners, as an environment that was shattered by conflict.
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Chloë is an artist working in the areas of experimental sound performance, improvisation and early music. Her work draws on the sensate qualities of sound through the subversion and deconstruction of solo instrumental performance.
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Currently based in North of the UK, my work often explores the documentation and transformation of materials including sound, text, film and reformatted objects. I am interested in reframing and dismantling narrative, subverting perceived normalities alongside the construction of personal or social behaviours and the inherent patterns of experience.
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Shirkher is a solo act that delves into a world of experimental and angsty art pop, often being built off of my poetry and certain moods that I want to capture. I make use of quite a maximalist, bombastic production style to confront different ideas and fears, and song structures that twist, turn and invert pop conventions.
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Maria Bergström is a sound artist working with acoustic & electronic instruments and samples to build soundscapes to tell stories with focused presence as the main goal. Working with topics like mental space versus physical space, silence as something relative, and sound pollution, she is driven by creating human openness and sensory stimulation through sound.
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Cindy Yuen-Zhe Chen lives and works in Sydney, Australia on unceded Darramuragal and Gadigal lands. She uses experimental drawing, listening and sound practices to explore processes of embodied listening.
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Maureen Wolloshin is an oboist, improviser, researcher and composer. She is interested in the relationship between sound, colour, touch and improvisation. Maureen combines watercolour graphic score making with practices derived from Scottish and Arabic music.
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Lesteria is an experimental vocal and sound artist based in Paris, France. She builds her tracks by compositing field-recorded and found sounds with improvised instrumentation, then adds a blend of vocal layers which represent the compartmentalization of her inner selves. The text of her vocal performance expresses the separation and reunification of layers of self-awareness.
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Lisa Rae Bartolomei is a multidisciplinary artist and musician working predominantly in the realm of spatially based electroacoustic music for performance and installation. Her practice incorporates elements of site-specific field recording, spectralism and experimental musical composition. Her art veers between a fragile, melancholic, yet beautiful daydream and a nightmarish vision of Armageddon.
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Gillian Lever is a sound artist and composer working across multichannel sound performance, diffusion and sound installation. Her practice examines the intertwined nature of the relationship between spatial sound, the space it inhabits, and the exploring listener.
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Klare Lanson is a performance poet and sound artist, investigating digital tensions and mobile entanglement in relation to mediated screen and sound experience, digital parenting, digital ethnography and networked versions of self. Concepts such as listening, digital disruption, and social wellbeing are topics of her creative practice-based PhD research.
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Sadah Espii Proctor (Espii) is a VR director and sound/media designer for theatre and immersive experiences. Named by American Theatre Magazine as one of “6 Theatre Artists to Know” for multimedia storytelling, her work encompasses global stories of women, social issues, and the African Diaspora, often with an Afrofuturist/Cyberpunk lens.
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Niki Matita is a record entertainer, selectress, experimental sound artist, improviser, performer, researcher, radio artist & presenter, activist and moderator. She works and lives in Berlin. Her sonic work is based on research-inspired notes and texts, voice experiments, plunderphonics and own compositions.
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Visda Goudarzi is a music technologist working at the intersection of audio and human-computer interaction. She designs and performs using interactive and participatory sonic interfaces. Her sonic works include live electronic performances, live coding and data driven sound.
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Anna Whitaker is a Brisbane based sound designer, composer and audio engineer with a palate for experimental, acousmatic works and surround sound composition. She graduated from Queensland Conservatorium of Music with a Bachelor of Music Technology, and since has designed and composed for productions including Festival 2018, Bleach* Festival, La Boite Theatre Company, tasdance, Brisbane Festival, MELT Festival, and The Farm.
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Performing as AGF, poetess and new media artist Antye Greie utilizes language, electronics, field recordings, politics & explores speech within the audible depths of anti-rhythmic post-internet assemblages.
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Soizic Lebrat is a French cellist, composer, improviser, performer and music researcher (research-creation, cultural history). Engaged in an experimental approach in music, she conducts creation and research projects. She is a regular on several international improvised music scenes.
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Sound-artist,electronic musician, singer, guitarist, composer/performer of experimental, contemporary, improvised music with her Max/MSP programming for live-sound-processing. She makes music for robots, interactive sound (and video) art, and “Audio Chandelier” multi-channel sound works.
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Martina Bertoni is a Berlin based cellist. Classically trained, she skipped classic music to explore different territories of ambient, improvisation, experimental and electronic music. The core of her work is based on rebuilding her identity as a cellist and deconstructing the relationship with her instrument throughout compositional and performing techniques of electronic and ambient music.
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Artist, photographer, performer, sound and video maker, Tansy Spinks is currently researching ways of listening, materiality in sound-making and site-specific sound as a live, performative practice. She received her PhD from LCC, (CRiSAP), University Of the Arts, London with David Toop, Angus Carlyle and Cathy Lane.
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Dalbergia Duo (Anna Rutkowska & Julianna Siedler Smuga) is a unique female marimba/percussion duo from Poland, performing various music written for two marimbas/percussion sets. We perform pieces already written by great composers of classical, film and contemporary music. Moreover we cooperate with composers form around the globe who also write pieces for our duo.
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Milkffish is the exploratory sound project of Lia Molina, comprised of ambient sound art using field recordings to blend both natural and industrial sounds.
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Allison is an Australian composer/sound designer of ambient music for video games and her own enjoyment. Originally trained in classical piano (obtaining her LMusA), her focus now lies in creating electronic works designed to relax and foster a love for taking notice of dreams and nature.
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Whitney is a curator and sound artist living on the unceded territories of the Tsleil-Waututh and Musqueam First Nations. Her sound work explores the effects of auditory stimuli to produce reactions in the nervous system.
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After 19 years as an electronic musician under another guise, I finally decided to create a project which allows me to break away from some of the conventions that I have used elsewhere. I use a range of field recordings, found sounds and hardware with minimal processing…
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composer, producer and performer of intuitive and expressive music and sound design, sometimes a mix of the two using her voice, piano, tech and guest musicians. Also instigator and project manager of electronic music charity Delia Derbyshire Day. Based in Manchester, UK.
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Taana Rose is a multi instrumentalist singer/songwriter who plays guitar and synthesiser, while performing with a Launchpad using electronic vocal looping. Her latest single Unexpected Love is set to be released on the 9th of March 2019.
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La Cosa Preziosa (Susanna Caprara) is a sound artist from the south of Italy based in Dublin, Ireland. Her work focuses on soundscape composition for performances, radio broadcasts and gallery installations, as well as the experimental exploration of the short-form.
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Schnuppofsky is the (dark) Ambient project of Lisa Teichmann, who is originally from Austria, but currently based in Montreal, Canada. In Schnuppofsky’s musical compositions, organic sounds merge with thick, dark drones, combining native and classical instruments with field recordings.
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Elizabeth Joan Kelly is a New Orleans-based classical and ambient/industrial electronic music composer. She uses found sounds and MIDI to create lush soundscapes influenced by Zola Jesus, Nine Inch Nails, Portishead, Fever Ray, and The Knife. Kelly’s music, which is primarily instrumental, explores the relationship between technology, industrialization, consumerism, and its effect on society and our natural world.
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A moody dystopian tone, confronted by energetic beats and intricate melodies that set a platform for developing ideas for coping. Where a witchy genre sets a delusion of spirituality, the idea references finding balance between discord and harmony with the personal rituals we use as coping mechanisms.
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Muzikačaka is one-woman band that does not consider herself inside one specific genre. What is important inside her music, it is the concept. Music was waiting many years for realisation and then first album arose in 2015 in Winter in Haloze, between the frying of a baker’s oven, chopping wood and in virtual and social isolation.
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Valéria Bonafé is a Brazilian composer, researcher and music teacher. Her researches and her creative works are marked by issues like the relationship between sonority, space and listening; the notions of image and materiality; the dimensions of memory and experience; the orality and the (auto)biographical space; and the field of feminism.
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A multi disciplinary artist using voice to reconstruct language by rearranging its sounds, patterns, and rhythms in to almost-familiar audio vignettes. Language is featured strongly in performances, writings, and sculptures that examine phrase and word meanings on several levels.
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Born and raised in the wild state of Idaho (USA), performer and composer Gretchen Jude has been heard across the globe, from Seoul to Helsinki. Gretchen’s work explores the liminal spaces between natural & artificial, tradition & experimentation, self & other, as she wanders the borderlands of contemporary experience. As a composer, she approaches music composition as ‘a channel for the desire to sing’ (to paraphrase Joel Ryan paraphrasing William Forsythe).
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Mariana Carvalho is a brazilian pianist, improviser and performer, keen on body, gender and transdisciplinarities. Experiments objects inside the piano and explores corporealities via eutony. Interested in weaving sonic relations in space, installations, expanded sonic bodies, free improvisation, experimental music, theatre, dance.
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crys cole is a Canadian sound artist working in composition, improvised performance and sound installation. By generating subtle and imperfect sounds through simple gestures, she creates textural works that continuously retune the ear, delicately seeking to both reveal, and obscure the intricacy of seemingly mundane sounds and sources.
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Erica Bramham is a vocalist, guitarist and composer from Melbourne, Australia. Poetic, inventive and uniquely personal, her work crosses the boundaries between jazz, traditional folk and experimental art music, showcasing her finesse as a lyricist and a captivating performance style that blends song with spoken word, improvisation and extended vocal technique.
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Primitive Heart is a dreamgaze project by Dani Mari. Dani Mari is a multi-genre music producer and visual artist. Audiences across the world have gravitated toward Dani Mari’s beautifully haunting voice and simplistic elegant lyrics.
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Irish composer Karen Power seeks to stimulate, engage and interact with audiences. Her work utilises two primary sources; acoustic instruments and everyday sounds, spaces and soundscapes. Karen’s output is diverse – both in its approach and delivery – and her primary aim is to capture and translate the essence of an idea through any artistic means necessary.
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Sarah Peebles is a Toronto-based installation artist, music improvisor and composer. Much of her work explores distinct approaches to performing the Japanese mouth-organ, shō (笙) , unconventional methods of amplification, and digitally manipulated found sound.
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Danish composer and keyboard player, best known from her constantly changing and innovative band Television Pickup and as a solo artist under the name Tuba Dynamite. Alongside being a live musician she works as a producer and makes sound design and music for computer games.
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Ess Beck is an autodidact musician and music producer, who has active on the Danish experimental underground music scene for the past 5 years (solo and as a member of ZRN). As a solo artist she works with themes such as gender-identity, cybernetics and Slow Technology.
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Sofía Bertomeu Hojberg (1991). Spanish multidisciplinary artist. I studied Fine Arts (09/13). My projects concern issues such as dissolved identities, deep and hidden emotions, abstract landscapes within wider areas, conceptual Soundscapes and portraits.
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Marta Zapparoli is an Italian experimental sound artist, improviser, performer and self-taught researcher. She works and lives in Berlin. Her sonic work is developed by self-recorded sound from the external world using a wide of devices, microphones, antennas, radio receivers, detectors and ultrasonics with unconventional techniques.
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Andrée Greenwell is a composer, vocalist and sound designer who works across mainstream and experimental platforms in performing arts, screen, and radio. Her catalogue of around 100 scores includes credits for Australia’s leading performing arts organisations…
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Julie Herndon is an Oakland-based composer and performer working with internal/external space through song, electronics, text, graphics, and improvisation. Julie is currently pianist and vocalist in H/I Ensemble and a doctoral candidate at Stanford University.
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Julie Rousse (1979) lives and works in Paris. She is a sound artist, improviser performer and electroacoustic composer. Her work is diverse and expressed through many different projects : live performances, electroacoustic composition, sound installations, music scores for film, dance and video art.
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Musician, model and digital artist. Born in Cali Colombia in 1988, she travels to to Rancagua, Chile in 2014 to join the dark noise experimental music project called Humanfobia formed with Sábila Orbe. She is the keyboardist and visual support for all cover artworks and promotional images of the project.
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Kezia Yap is a Sydney-based composer who specialises in acoustic chamber, and mixed music (a medium that combines live acoustic instrumental performance with electronic elements). Her work centres around an exploration of timbre and space, and the way that can be extended through the inclusion of electronics.
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With a background in classical performance, Alexis Weaver had no idea that her musical interest would settle in the world of electroacoustic composition. She enjoys fusing her traditional musical education with the ever-expanding area of music technology, having composed soundtracks for animation, short stories, radio, and the Sydney Fringe Festival.
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Kristina Warren (US, UK) is an electroacoustic composer, improviser, and researcher. Her diverse output — including electronic-vocal performance, non-traditionally notated scores, and scholarship on gender in electronic music — imagines the coherence of seemingly disparate processes, such as noise and individualized listening.
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Laura Mello is a composer and performer who sees voices as persons in sound, as well as language, gestures and field recordings as musical materials. Originally from Brazil and living between Vienna and Berlin, she plays with languages, field recordings and synthesized sounds to make instrumental compositions, performances, experimental music, radio art and sound installations.
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Diana Policarpo is a visual artist, composer and radio presenter (Rádio Quântica) based in London and Lisbon working in composition, sculpture, improvised performance and sound installation. Her work investigates power relations, popular culture and gender politics, juxtaposing the rhythmic structuring of sound as a tactile material within the social construction of esoteric ideology.
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death of codes is the solo electronic/synthwave project of Meg Wilhoite. She writes, mixes, and masters every track. Her songs have been called ethereal, spooky, and baroque; she herself calls it the sound of mermaids singing in outer space.
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Kallie Marie has a Masters in Music Production from the Leeds College of Music. She specializes in Music Production and Composition. In addition to her work writing music for Film, TV, and Dance and producing and recording various artists, Kallie also teaches Audio For Multimedia at NYU SPS Center for Applied Liberal Arts, where she is an adjunct faculty member. Kallie is also a regular contributing write at Sonic Scoop.
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Soramimi is a composer and producer based in NYC. She is the co-owner of Dusk Notes record label. “ Soramimi ” is defined as a mishearing or feigned deafness. She regards her music as narrative imagery, with a celestial sound illustrated by cerebral textures and dreamlike compositions. Soramimi brings a distinct fluency and gravity to the table of ambient and experimental techno.
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A Hydra-headed project (with heads from the UK and Poland) made by a self- taught Polish woman based in Oslo/Norway. It is an imperfect, chaotic, DIY, darkpunk project with noise and industrial/ambient influences. Instruments used are noise machines, bass guitar, vocals. Industrial collages are an illustration to the music.
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Nina Dragičević (b. 1984) started her musical career as a classical violinist. Since 2008 she has been active as a drum’n’bass DJ and a member of the first female DJ collective in Slovenia, Female’s’cream . Since 2013 she has been focusing on creating her own music which she presents exclusively at alternative culture venues, such as Ljubljana’s Škuc Gallery , Kapelica Gallery , Pritličje , Autonomous cultural centre Metelkova , Social centre Rog etc.
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Composer, cellist and synth coveter, GEORGIASWEBB is a Sydney based musician with an infatuation for complex beats. With her Conservatorium education, she endeavours to apply her music theory knowledge to all things electronic. GEORGIASWEBB is all about using algorithmic processing and intricate immersive development to create otherworldly dreamscapes and music to satisfy your cravings for allure.
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Judith Shatin composes with digital, electroacoustic, multimedia and expanded acoustic technologies. Founder of the Virginia Center for Computer Music, she has created music from recordings of wooden looms (Penelope’s Song), all kinds of tape (Tape Music), of a sculptor at work (Tree Music), sounds of a working coal mine (COAL, a folk oratorio).
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Composer. Percussionist. Paredes was born and raised in Lima, Peru. In search of a better education, she relocated to the United States at the age of 17, and settled in Florida. As a college student, she enrolled in music classes and began taking lessons from renowned percussionist Mike Davis. In 2008, Paredes transferred to Rollins College in Winter Park, Florida, where she continued her studies as part of the Rollins Percussion ensemble led by Beth Gottlieb, and as a student in Gottlieb’s masterclasses.
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Luciana Bass is a guitarist who graduated in sound arts & design at the university of the arts london. She is interested in sound exploration and experimentation and her preferred choice is, normally, the electric guitar.
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Musician and Mathematician, she combines her artistic activity with teaching Mathematics, creative programming and research.
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Jenny Ruth Barnes has a bachelor of music and a masters in applied linguistics and works in english language learning with refugee and migrant communities in Melbourne.
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Renée Baker is a composer and improviser, conductor and musician coordinator from Chicago. She works at the forefront of creative and avant-garde music combining the traditions of classical and improvisation. She is a member of the A.A.C.M.
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Clara de Asís is a Spanish composer and guitarist based in France. She develops an approach to sound that highlights simplicity, non-intervention and active listening as means of music making. Her works display an extreme precision and intuitive openness, both distinctive of Clara de Asís manner, that involves a dedicated attention to sound on its details and its most pure forms.
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Mariela Arzadun is an improviser, experimental musician and visual artist from Buenos Aires who focuses on field recordings, soundscapes, drones, poetry, collage and concrete music. She runs the Amor Loco netlabel and comprises half of the free improvisation duo, Criadero en Seres, both with Leandro Ramírez.
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Judy Dunaway is an avant-garde composer, free improvisor, conceptual sound artist, transmission artist and creator of sound installations who is primarily known for her sound works for latex balloons. Since 1990 she has created over forty works for balloons as sound conduits and has also made this her main instrument for improvisation.
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Based on the sound analysis of human and non-human voices, Silvia Rosani’s music strives to promote the recognition of her audience in the other. Silvia writes for acoustic instruments but also works and performs with electronics.
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Eki Shola is a musical healer, composing music that allows listeners to relax and ease the daily stressors of life. As a physician, she has witnessed how the physical and emotional manifestations of stress and spiritual disconnection can adversely impact the ability to live an enriched and fulfilled life.
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Kritzkom is the solo project of Marine Drouan, musician and graphic designer, from Nantes (France) living in Berlin. She produces and plays live electronic music with an assortment of machines interacting together. Her career as musician, DJ and producer started in 2002 in France. In 2008 she decided to move to Berlin to be more focused on her music.
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Hanan Hadžajlić is flutist, composer, music analyst and transdisciplinary art researcher from Bosnia and Herzegovina / Slovenia. As composer, she works in fields of “meccanical music” for acoustic instruments/ensembles, music theatre and real time electroacoustic composition. She is member of ensemble SONEMUS.
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Sky High Diamonds is the musical outlet of Sarah Gatter who defines herself as an experimental DIY sound poet. Inspired by a combination of acoustic sounds, electronic sources, pre recorded and spontaneous sounds, Sarah also develops homemade percussion to explore space and rhythm.
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Catherine’s multidisciplinary practice addresses communication through voice and language and the interplay between hearing/listening and seeing/reading. Using field recording, digital imaging and the spoken/written word she is exploring an expanded approach to language within species and across species through a framework of everyday experience.
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Sukitoa o Namau is a Moroccan experimental sound artist and researcher. Her background is rooted into contemporary dance, performing arts and visual arts. She incorporated sound to her practice while directing a dance piece, Des fleurs pour Schrödinger, for which she composed and performed a soundtrack…
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Praised for her equally fierce and bold dramatic performance style, Sylvia Hinz is one of the leading recorder players worldwide, specialised in contemporary music and improvisation.
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Composer and producer of electronic leftfield music. Lives in the woods in Denmark. Early works include recording vocals in a washing machine, building microphones from telephones and recording music through a walkie-talkie.
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Maritime-born artist, Lisa Lipton is a multidisciplinary visual artist, musician and director who received her B.F.A. from NSCAD University and M.F.A. from the University of Windsor. Her projects explore the potential for crossing genres of film, mixed media installation, performance, theatre and music.
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SIRENS is a duo that uses electronic manipulation and looping to create live improvisations. More than soundscapes, these are songs composed and performed in the same moment. Both vocalists, percussionists, and instrumentalists this duo continues to develop their sound but focus on creating honest, simple, emotive music.
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ES is an Italian artist and academic in visual/sonic arts combining interactive installations with creative programming, research-based field recordings, DIY electronics, photographs, and non-linear soundscape compositions.
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Sally Golding is a multimedia artist combining film projection, lighting and sonic composition to create expanded cinema performances and participatory installations. Golding’s audiovisual performance work focuses on the experience of the audience, pushing the boundaries of visual and auditory perception through the breakdown of the cinematic system into flicker, waveforms and colour fields…
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French self-taught multi-instrumentalist, I mainly use alternatively tuned guitars synchronized with Kaoss Pads and EBows to create Experimental Sound landscapes. Inspired by many various genres (Electro-Acoustic, Ambient, Sound Art, Noise, Drone, Post-Rock, Electro, …) and pioneers like Brian Eno, Suzanne Ciani, Pierre Boulez, my aim is to deflect and bring harmonies and disharmonies normally used on acoustic instruments towards electric-modified ones.
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