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Mara Schwerdtfeger

Posted in , , , , , , , , , , , , on 2-22-24

Mara is a composer and curator based in Eora / Sydney. She plays the viola and collaborates with her laptop to create live performances and recorded pieces for film, dance, and gallery spaces. Informed by interactions and perspectives within environments, her work questions the coexistence and understanding between those who inhabit them

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Mareike Dobewall

Posted in , , , , , , , , , , on 7-22-23

Mareike Dobewall is a director, scenographer, musician and composer. She is based in Stockholm since 2016.  She studied filmmaking in Berlin, scenography at the Norwegian Theatre Academy and choreography at HZT in Berlin. Her specialisation lies in the creation of spatial sound performances.

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Cynthia Zaven

Posted in , , , , , , , , , , on 10-15-22

Cynthia Zaven is a composer, pianist and artist based in Beirut. Her projects combine a variety of media including video, photography, performance and the use of archive material to explore the relationship between sound, memory and identity through interwoven narratives.

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Maria Bergström

Posted in , , , , , , on 3-1-21

Maria Bergström is a sound artist working with acoustic & electronic instruments and samples to build soundscapes to tell stories with focused presence as the main goal. Working with topics like mental space versus physical space, silence as something relative, and sound pollution, she is driven by creating human openness and sensory stimulation through sound.

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Lisa Rae Bartolomei

Posted in , , , , , , , , , , , on 3-1-21

Lisa Rae Bartolomei is a multidisciplinary artist and musician working predominantly in the realm of spatially based electroacoustic music for performance and installation. Her practice incorporates elements of site-specific field recording, spectralism and experimental musical composition. Her art veers between a fragile, melancholic, yet beautiful daydream and a nightmarish vision of Armageddon. 

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Klare Lanson

Posted in , , , , , , , , , , on 3-1-21

Klare Lanson is a performance poet and sound artist, investigating digital tensions and mobile entanglement in relation to mediated screen and sound experience, digital parenting, digital ethnography and networked versions of self. Concepts such as listening, digital disruption, and social wellbeing are topics of her creative practice-based PhD research.

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Sadah Espii Proctor

Posted in , , , , , , on 5-15-20

Sadah Espii Proctor (Espii) is a VR director and sound/media designer for theatre and immersive experiences. Named by American Theatre Magazine as one of “6 Theatre Artists to Know” for multimedia storytelling, her work encompasses global stories of women, social issues, and the African Diaspora, often with an Afrofuturist/Cyberpunk lens.

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Dafna Naphtali

Posted in , , , , , , , , , , , , on 8-15-19

Sound-artist,electronic musician, singer, guitarist, composer/performer of experimental, contemporary, improvised music with her Max/MSP programming for live-sound-processing.  She makes music for robots, interactive sound (and video) art, and “Audio Chandelier” multi-channel sound works.

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Martina Bertoni

Posted in , , , , on 6-16-19

Martina Bertoni is a Berlin based cellist. Classically trained, she skipped classic music to explore different territories of ambient, improvisation, experimental and electronic music. The core of her work is based on rebuilding her identity as a cellist and deconstructing the relationship with her instrument throughout compositional and performing techniques of electronic and ambient music.

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Taana Rose

Posted in , , , , , , , , , , , , , on 2-2-19

Taana Rose is a multi instrumentalist singer/songwriter who plays guitar and synthesiser, while performing with a Launchpad using electronic vocal looping. Her latest single Unexpected Love is set  to be released on the 9th of March 2019.

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Gretchen Jude

Posted in , , , , , , on 8-27-18

Born and raised in the wild state of Idaho (USA), performer and composer Gretchen Jude has been heard across the globe, from Seoul to Helsinki. Gretchen’s work explores the liminal spaces between natural & artificial, tradition & experimentation, self & other, as she wanders the borderlands of contemporary experience. As a composer, she approaches music composition as ‘a channel for the desire to sing’ (to paraphrase Joel Ryan paraphrasing William Forsythe).

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 Karen Power

Posted in , , , , , , , , on 3-4-18

Irish composer Karen Power seeks to stimulate, engage and interact with audiences. Her work utilises two primary sources; acoustic instruments and everyday sounds, spaces and soundscapes. Karen’s output is diverse – both in its approach and delivery – and her primary aim is to capture and translate the essence of an idea through any artistic means necessary.

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Alexis Weaver

Posted in , , on 1-7-18

With a background in classical performance, Alexis Weaver had no idea that her musical interest would settle in the world of electroacoustic composition. She enjoys fusing her traditional musical education with the ever-expanding area of music technology, having composed soundtracks for animation, short stories, radio, and the Sydney Fringe Festival.

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Kristina Warren

Posted in , , , , , , , , , , on 1-7-18

Kristina Warren (US, UK) is an electroacoustic composer, improviser, and researcher. Her diverse output — including electronic-vocal performance, non-traditionally notated scores, and scholarship on gender in electronic music — imagines the coherence of seemingly disparate processes, such as noise and individualized listening.

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Laura Mello

Posted in , , , , , , , , , , on 10-15-17

Laura Mello is a composer and performer who sees voices as persons in sound, as well as language, gestures and field recordings as musical materials. Originally from Brazil and living between Vienna and Berlin, she plays with languages, field recordings and synthesized sounds to make instrumental compositions, performances, experimental music, radio art and sound installations.

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Diana Policarpo

Posted in , , , , on 10-15-17

Diana Policarpo is a visual artist, composer and radio presenter (Rádio Quântica) based in London and Lisbon working in composition, sculpture, improvised performance and sound installation. Her work investigates power relations, popular culture and gender politics, juxtaposing the rhythmic structuring of sound as a tactile material within the social construction of esoteric ideology.

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 Kallie Marie 

Posted in , , , , , , on 5-15-17

Kallie Marie has a Masters in Music Production from the Leeds College of Music. She specializes in Music Production and Composition. In addition to her work writing music for Film, TV, and Dance and producing and recording various artists, Kallie also teaches Audio For Multimedia at NYU SPS Center for Applied Liberal Arts, where she is an adjunct faculty member. Kallie is also a regular contributing write at Sonic Scoop.

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Nina Dragičević

Posted in , , , , , , , on 5-15-17

Nina Dragičević (b. 1984) started her musical career as a classical violinist. Since 2008 she has been active as a drum’n’bass DJ and a member of the first female DJ collective in Slovenia, Female’s’cream . Since 2013 she has been focusing on creating her own music which she presents exclusively at alternative culture venues, such as Ljubljana’s Škuc Gallery , Kapelica Gallery , Pritličje , Autonomous cultural centre Metelkova , Social centre Rog etc.

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Ivonne Paredes

Posted in , , , , , , on 3-19-17

Composer. Percussionist. Paredes was born and raised in Lima, Peru. In search of a better education, she relocated to the United States at the age of 17, and settled in Florida. As a college student, she enrolled in music classes and began taking lessons from renowned percussionist Mike Davis. In 2008, Paredes transferred to Rollins College in Winter Park, Florida, where she continued her studies as part of the Rollins Percussion ensemble led by Beth Gottlieb, and as a student in Gottlieb’s masterclasses.

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Clara de Asís

Posted in , , , on 3-13-17

Clara de Asís is a Spanish composer and guitarist based in France. She develops an approach to sound that highlights simplicity, non-intervention and active listening as means of music making. Her works display an extreme precision and intuitive openness, both distinctive of Clara de Asís manner, that involves a dedicated attention to sound on its details and its most pure forms.

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Hanan Hadžajlić

Posted in , , , , , , , on 3-6-17

Hanan Hadžajlić is flutist, composer, music analyst and transdisciplinary art researcher from Bosnia and Herzegovina / Slovenia. As composer, she works in fields of “meccanical music” for acoustic instruments/ensembles, music theatre and real time electroacoustic composition. She is member of ensemble SONEMUS.

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The Woman With No Head

Posted in , , , , , , on 12-16-16

French self-taught multi-instrumentalist, I mainly use alternatively tuned guitars synchronized with Kaoss Pads and EBows to create Experimental Sound landscapes. Inspired by many various genres (Electro-Acoustic, Ambient, Sound Art, Noise, Drone, Post-Rock, Electro, …) and pioneers like Brian Eno, Suzanne Ciani, Pierre Boulez, my aim is to deflect and bring harmonies and disharmonies normally used on acoustic instruments towards electric-modified ones.

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Manja Ristic

Posted in , , , , , , , on 11-9-16

Born in Belgrade 1979. violinist, sound artists, curator and researcher mostly active in the field of electro-acoustics, instrumental improv & experimental sound related arts. Graduated at the Belgrade Music Academy, then gained PGDip at the RCM, London. In the past years focused on developing own notation system (Violin Revealed, Alternative Guide to Violin’s Sonic Life) integrating intuitive graphics with microtonal instrumental approaches as well as development of cognitive memory in conceptual AV performance.

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Emily Bennett

Posted in , , , , , , , , , on 5-9-16

I am an improvising and experimental vocalist that works with synthesized and site-specific sounds. I have collaborated with choreographers, theatre makers), journalists, young people and more recently, constructed works for live music performance that fuse sound design and composed work with future directions in real-time improvisation.

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Zahra Mani

Posted in , , , , , , , , , , , , , , , , on 3-22-16

I am a musician, composer, sound and radio artist. I play a number of instruments, including double bass, guitars, and the piano. I use my field recording archive to create organic electro-acoustic soundscapes for my compositions and performances.

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Sophia Loizou

Posted in , , , , , , , , , on 3-9-16

Sophia Loizou is a music producer, author and AV artist working at the intersection of contemporary electronic music, speculative fiction and the ecological. Central to her practice is an ongoing investigation of sonic fiction as a generative, theory-making device that operates from within sound.

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Astrid Zeman

Posted in , , , , , , , on 2-16-16

Astrid Zeman is a vocalist, composer and multi-instrumentalist (guitar, trombone, piano) who creates live, ambient soundscapes using a loop pedal. Through recent explorations of her physical self as an instrument, she has learnt throat and harmonic singing alongside body percussion and mouth manipulations including tongue clicking.

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Patricia Martinez

Posted in , , , , , , , on 10-14-15

Patricia Martinez (Argentina) is composer, improviser, pianist, interdisciplinary artist, researcher and professor. Her works has emerged, in part, from an experimental process of ‘stripping-down,’ which involves a degree of risk-taking, in that the resulting piece is left somewhat vulnerable in terms of its expressive identity.

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Alexandra Spence

Posted in , , , , , , , , , on 9-8-15

Alexandra Spence is a sound artist and clarinettist from Sydney, Australia, currently based in Vancouver, Canada. She works within the fields of improvised music, electroacoustic composition and multimedia installation. Alex is interested in the relationship between humans and their sonic environments, in the connection between sound and its context, and its relationship to experience, feeling, memory and place.

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Leah Barclay 

Posted in , , , , , , on 8-20-15

Leah Barclay is an Australian interdisciplinary artist, creative producer, composer and researcher who specialises in electroacoustic music, sound art and acoustic ecology. Her work has been commissioned, performed and exhibited to wide acclaim across Australia, New Zealand, Canada, USA, Europe, India, South Africa, China and Korea. She has been the recipient of numerous awards and has directed and curated interdisciplinary projects across the Asia-Pacific.

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Bronwen Williams

Posted in , , , , , , , on 7-23-15

Bronwen Williams is a trans-disciplinary artist working with sound as a material to interrogate the nuances of cross-cultural living. Bronwen’s sound work uses psycho-acoustic phenomena and the sonic experience of oscillation and vibration to investigate an experience of cultural hybridity that is underpinned by a state of perpetual flux and tension. Employing a range of minimalist sound art tropes, her work offers an embodied listening experience that speaks to her contemporary cross-cultural reality.

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Amanda Stewart

Posted in , , , , , , , , on 7-17-15

Amanda Stewart is a poet, author and composer/performer for voice. She has created a diverse range of publications and performances in Australia, Europe, the US and Japan working in literature, music, sound poetry, broadcasting, theatre, film, dance and new media environments. Within new music and sound art, Stewart has developed a unique approach to composition, improvisation and extended vocal technique where she incorporates her own philosophical, linguistic and poetic formulations/constructions (and abstractions) within music, body and voice.

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Sally Ann McIntyre / radio cegeste

Posted in , , , , , , , , on 6-4-15

Sally Ann McIntyre was born in Hobart, and currently resides in Dunedin. Her creative practice is highly responsive to place, and includes sound art, the creative use of radio, and the the use of field recordings, as well as a concurrent practice in poetry and associated forms of writing.

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Rosalind Hall

Posted in , , , , , , , , , , , on 6-4-15

Rosalind Hall is an Australian musician and composer who creates performances, compositions, installations and soundtracks.  Rosalind’s spatial and expansive work explores the physicality of sound through the use of amplification, microtonal movement, beating frequencies and reverberation. 

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Alexandra Cárdenas

Posted in , , , , , on 5-29-15

Alexandra Cardenas (born 1976) is a Columbian composer and improviser now based in Berlin, who has followed a path from Western classical composition to improvisation and live electronics. Her recent work has included Live coding performance, including performances at the forefront of the Algorave scene, and she was instrumental in the development of the Live Coding scene in Mexico City.

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Pamela Z

Posted in , , , , , , , , , , , on 5-17-15

Pamela Z is a composer/performer and media artist working with voice, live electronic processing, sampled sound, and video. A pioneer of live looping techniques, she creates works combining extended vocal techniques, operatic bel canto, found objects, text, processing, and gesture-activated MIDI controllers.

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Ana María Romano Gómez

Posted in , , , , , , , , , , , on 5-17-15

Ana María Romano Gómez. Compositora y artista sonora colombiana. Su interés por la exploración sonora la ha llevado por territorios en los que sonidos y silencios se encuentran con movimientos, lugares, imágenes, materias; con cuerpos, objetos y espacios sonantes y silentes. Le gusta crear en colaboración y le apasiona indagar y transitar por terrenos desconocidos o ajenos.

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Donna Hewitt

Posted in , , , , , on 5-12-15

Dr. Donna Hewitt is a performer, vocalist, electronic music composer and instrument designer. Her primary interest in recent years has been exploring gesture in mediatized performance environments and new ways of interfacing the voice with electronic media. She is the inventor of the eMic, a sensor enhanced microphone stand for electronic music performance which she has been developing and performing works with both locally and internationally for the past 11 years.

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Jasmine Guffond

Posted in , , , , , , , on 4-23-15

Jasmine Guffond is a sound artist and composer from Sydney, Australia, living and working in Berlin, Germany. She has performed live internationally, exhibited sound installations and recorded music for CD and 12inch vinyl releases with the Sigma Editions, Staubgold, Monika Enterprise and Sonic Pieces labels.

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Stanier Black-Five

Posted in , , , , , , , , , , , on 4-21-15

Stanier Black-Five is the ex-UK and now New Zealand-based sound artist and writer, Jo Burzynska. Her audio work is largely based on the manipulation of her own environmental recordings, which she uses to create dense soundscapes that use sources such as the pounding rhythms of trains to more recently, the sounds of the earthquakes that have shaken her home city.

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Clare Cooper

Posted in , , , , , , on 4-16-15

Cooper is a designer, harpist, organiser, teacher and mum. She’s ferocious with strings and sticks, her sound inspired by synthesizers and broken boom boxes. She plays the chinese guzheng and pedal harp – more often than not with drumsticks and violin bows – snapping, crackling, popping and stabbing. Her investigations into context and how it can energise a performance have led her to map spaces and construct situations.

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Melanie Herbert

Posted in , , , , , , , on 4-16-15

Melanie Herbert is a Sydney-based composer, performer and installation artist. She performs in 8-piece laptop orchestra Electronic Resonance Korps, as well as large-scale improvising ensemble, Splinter Orchestra. As resident sound artist for Earthcrosser Company, Melanie has been involved in self-devised theatre works such as Room which was showcased at PACT theatre in May 2014.

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Laura Altman

Posted in , , , , , , on 4-15-15

Laura Altman is a clarinetist, improviser and composer, born and based in Sydney. She has been an important young voice on the Sydney improvised music scene since 2007, playing with groups such as The Splinter Orchestra and Prophets, and collaborating with Australian improvisers including Jim Denley, Dale Gorfinkel, Monica Brooks and Peter Farrar. Laura has toured Australia and Europe with a range of projects including the internationally renowned trio ‘Great Waitress’, featuring Brooks on accordion and Berlin-based pianist Magda Mayas.

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Cat Hope

Posted in , , , , , , , on 4-15-15

Cat Hope is an accomplished Perth based musician, composer, songwriter, sound and performance artist whose practice is an interdisciplinary one that crosses over into film, video, performance and installation. Her work has taken her on numerous tours around Australia, the USA, Japan and Europe. Her recordings are distributed and published worldwide, and she has written soundscapes for dance and theatre companies as well as commissions for film and pure music works.

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