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Mara Schwerdtfeger

Posted in , , , , , , , , , , , , on 2-22-24

Mara is a composer and curator based in Eora / Sydney. She plays the viola and collaborates with her laptop to create live performances and recorded pieces for film, dance, and gallery spaces. Informed by interactions and perspectives within environments, her work questions the coexistence and understanding between those who inhabit them

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Jo Truman

Posted in , , , , , , , on 9-13-23

Jo (Josephine) Truman is a composer/ performer/improviser and sound artist. She has a BA in Communications (UTS – majoring in sound and writing) and an MMus (Composition – Sydney Conservatorium of Music) with her research thesis on extended vocal techniques in New Music. She has received various awards for her work – a Special Purpose Award and an International Study Grant which took her to Europe where she lived for 19 years, performing in many festivals such as the Le Mans Jazz Festival, the Strasbourg Musica Festival, Heineken Jazz Fest…

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Jacqui O’Reilly

Posted in , , , , , , on 10-15-22

Jacqui O’Reilly is a Pākehā artist, researcher and musician from Aotearoa New Zealand, now based in Sydney Australia, on the unceded land of the Gadigal people of the Eora Nation. Jacqui is interested in the creative act as acknowledgement of what has happened in the past and what could happen in the future through embodiment within the more-than-human world.

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Lucie Coffey – Shirkher

Posted in , , , on 3-3-21

Shirkher is a solo act that delves into a world of experimental and angsty art pop, often being built off of my poetry and certain moods that I want to capture. I make use of quite a maximalist, bombastic production style to confront different ideas and fears, and song structures that twist, turn and invert pop conventions.

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Lisa Rae Bartolomei

Posted in , , , , , , , , , , , on 3-1-21

Lisa Rae Bartolomei is a multidisciplinary artist and musician working predominantly in the realm of spatially based electroacoustic music for performance and installation. Her practice incorporates elements of site-specific field recording, spectralism and experimental musical composition. Her art veers between a fragile, melancholic, yet beautiful daydream and a nightmarish vision of Armageddon. 

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Klare Lanson

Posted in , , , , , , , , , , on 3-1-21

Klare Lanson is a performance poet and sound artist, investigating digital tensions and mobile entanglement in relation to mediated screen and sound experience, digital parenting, digital ethnography and networked versions of self. Concepts such as listening, digital disruption, and social wellbeing are topics of her creative practice-based PhD research.

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 Anna Whitaker

Posted in , , , , , , , , , on 1-24-20

Anna Whitaker is a Brisbane based sound designer, composer and audio engineer with a palate for experimental, acousmatic works and surround sound composition. She graduated from Queensland Conservatorium of Music with a Bachelor of Music Technology, and since has designed and composed for productions including Festival 2018, Bleach* Festival, La Boite Theatre Company, tasdance, Brisbane Festival, MELT Festival, and The Farm.

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Karli White

Posted in , , , on 10-26-18

A moody dystopian tone, confronted by energetic beats and intricate melodies that set a platform for developing ideas for coping. Where a witchy genre sets a delusion of spirituality, the idea references finding balance between discord and harmony with the personal rituals we use as coping mechanisms.

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Erica Bramham

Posted in , , , , on 3-14-18

Erica Bramham is a vocalist, guitarist and composer from Melbourne, Australia.  Poetic, inventive and uniquely personal, her work crosses the boundaries between jazz, traditional folk and experimental art music, showcasing her finesse as a lyricist and a captivating performance style that blends song with spoken word, improvisation and extended vocal technique.  

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Alexis Weaver

Posted in , , on 1-7-18

With a background in classical performance, Alexis Weaver had no idea that her musical interest would settle in the world of electroacoustic composition. She enjoys fusing her traditional musical education with the ever-expanding area of music technology, having composed soundtracks for animation, short stories, radio, and the Sydney Fringe Festival.

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GEORGIASWEBB

Posted in , , , , , , on 5-15-17

Composer, cellist and synth coveter, GEORGIASWEBB is a Sydney based musician with an infatuation for complex beats. With her Conservatorium education, she endeavours to apply her music theory knowledge to all things electronic. GEORGIASWEBB is all about using algorithmic processing and intricate immersive development to create otherworldly dreamscapes and music to satisfy your cravings for allure.

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Catherine Clover

Posted in , , , , , , , on 2-19-17

Catherine’s multidisciplinary practice addresses communication through voice and language and the interplay between hearing/listening and seeing/reading. Using field recording, digital imaging and the spoken/written word she is exploring an expanded approach to language within species and across species through a framework of everyday experience.

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Sally Golding

Posted in , , , , , , , on 12-16-16

Sally Golding is a multimedia artist combining film projection, lighting and sonic composition to create expanded cinema performances and participatory installations. Golding’s audiovisual performance work focuses on the experience of the audience, pushing the boundaries of visual and auditory perception through the breakdown of the cinematic system into flicker, waveforms and colour fields…

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Anja Kanngieser

Posted in , , , , , on 11-9-16

I am a researcher, writer and educator working on sonic communication and geography. Concentrating on shifts in economic and political landscapes, I investigate how these shifts are translated in the sounds that we hear, how we are affected by them, and how we listen and respond. My work is concerned with the ways that sound and communication are shaped by, and shape, our relations to one another, to the architectures and infrastructures around us, to our larger atmospheres and ecologies, and to the forces of power and governance that we experience and intervene in

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Emily Bennett

Posted in , , , , , , , , , on 5-9-16

I am an improvising and experimental vocalist that works with synthesized and site-specific sounds. I have collaborated with choreographers, theatre makers), journalists, young people and more recently, constructed works for live music performance that fuse sound design and composed work with future directions in real-time improvisation.

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Astrid Zeman

Posted in , , , , , , , on 2-16-16

Astrid Zeman is a vocalist, composer and multi-instrumentalist (guitar, trombone, piano) who creates live, ambient soundscapes using a loop pedal. Through recent explorations of her physical self as an instrument, she has learnt throat and harmonic singing alongside body percussion and mouth manipulations including tongue clicking.

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Alexandra Spence

Posted in , , , , , , , , , on 9-8-15

Alexandra Spence is a sound artist and clarinettist from Sydney, Australia, currently based in Vancouver, Canada. She works within the fields of improvised music, electroacoustic composition and multimedia installation. Alex is interested in the relationship between humans and their sonic environments, in the connection between sound and its context, and its relationship to experience, feeling, memory and place.

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Leah Barclay 

Posted in , , , , , , on 8-20-15

Leah Barclay is an Australian interdisciplinary artist, creative producer, composer and researcher who specialises in electroacoustic music, sound art and acoustic ecology. Her work has been commissioned, performed and exhibited to wide acclaim across Australia, New Zealand, Canada, USA, Europe, India, South Africa, China and Korea. She has been the recipient of numerous awards and has directed and curated interdisciplinary projects across the Asia-Pacific.

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Bronwen Williams

Posted in , , , , , , , on 7-23-15

Bronwen Williams is a trans-disciplinary artist working with sound as a material to interrogate the nuances of cross-cultural living. Bronwen’s sound work uses psycho-acoustic phenomena and the sonic experience of oscillation and vibration to investigate an experience of cultural hybridity that is underpinned by a state of perpetual flux and tension. Employing a range of minimalist sound art tropes, her work offers an embodied listening experience that speaks to her contemporary cross-cultural reality.

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Amanda Stewart

Posted in , , , , , , , , on 7-17-15

Amanda Stewart is a poet, author and composer/performer for voice. She has created a diverse range of publications and performances in Australia, Europe, the US and Japan working in literature, music, sound poetry, broadcasting, theatre, film, dance and new media environments. Within new music and sound art, Stewart has developed a unique approach to composition, improvisation and extended vocal technique where she incorporates her own philosophical, linguistic and poetic formulations/constructions (and abstractions) within music, body and voice.

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Jodi Rose

Posted in , , , , , , , , , , , on 5-31-15

Jodi Rose is an artist, writer, producer, and creator of Singing Bridges, an urban sonic sculpture playing the cables of bridges as musical instruments on a global scale. Originally from Sydney, Rose travelled from Helsinki to Vietnam, New York to Singapore and Berlin in her quest for bridge music.

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Donna Hewitt

Posted in , , , , , on 5-12-15

Dr. Donna Hewitt is a performer, vocalist, electronic music composer and instrument designer. Her primary interest in recent years has been exploring gesture in mediatized performance environments and new ways of interfacing the voice with electronic media. She is the inventor of the eMic, a sensor enhanced microphone stand for electronic music performance which she has been developing and performing works with both locally and internationally for the past 11 years.

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Louise Devenish

Posted in , , , on 5-2-15

Louise Devenish is a percussionist whose practice incorporates performance, commissioning, curating, research and education. Her work with contemporary, world and interdisciplinary ensembles includes co-directing percussion duo The Sound Collectors, directing Piñata Percussion, percussing for electro-acoustic sextet Decibel and curating the annual Day of Percussion.

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Pia van Gelder

Posted in , , , , , , on 4-23-15

Pia van Gelder is an electronic artist, teacher and curator who has exhibited and performed widely across Australia and internationally. Van Gelder develops performances and installations by working with media machines, both custom built heirloom technologies like the audio-video modular synthesiser, and common electronic devices which are opened up and hacked to perform in ways that negate their use or assumed design.

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sister0 / Nancy Mauro-Flude

Posted in , , , , , , , , , , on 4-18-15

stray cat | vessel of infinite veracity | supernatural repository | sister of Ophelia | L’Enfant terrible | wayward | illegitimate bastard child | rock & roll outlaw |
member of the the Church of overblown firefox tabs, her spiritual animal is the Tasmanian devil.

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Clare Cooper

Posted in , , , , , , on 4-16-15

Cooper is a designer, harpist, organiser, teacher and mum. She’s ferocious with strings and sticks, her sound inspired by synthesizers and broken boom boxes. She plays the chinese guzheng and pedal harp – more often than not with drumsticks and violin bows – snapping, crackling, popping and stabbing. Her investigations into context and how it can energise a performance have led her to map spaces and construct situations.

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Melanie Herbert

Posted in , , , , , , , on 4-16-15

Melanie Herbert is a Sydney-based composer, performer and installation artist. She performs in 8-piece laptop orchestra Electronic Resonance Korps, as well as large-scale improvising ensemble, Splinter Orchestra. As resident sound artist for Earthcrosser Company, Melanie has been involved in self-devised theatre works such as Room which was showcased at PACT theatre in May 2014.

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Kusum Normoyle

Posted in , , , , on 4-15-15

Kusum Normoyle is an artist and musician working with voice, feedback and noise for both performance and installation. She is currently a PhD candidate at UNSW Art and Design, Sydney, Australia, under the supervision of Douglas Kahn and is an active member of the Sound and Materials Research Group at UNSW Art and Design.

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Laura Altman

Posted in , , , , , , on 4-15-15

Laura Altman is a clarinetist, improviser and composer, born and based in Sydney. She has been an important young voice on the Sydney improvised music scene since 2007, playing with groups such as The Splinter Orchestra and Prophets, and collaborating with Australian improvisers including Jim Denley, Dale Gorfinkel, Monica Brooks and Peter Farrar. Laura has toured Australia and Europe with a range of projects including the internationally renowned trio ‘Great Waitress’, featuring Brooks on accordion and Berlin-based pianist Magda Mayas.

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Cat Hope

Posted in , , , , , , , on 4-15-15

Cat Hope is an accomplished Perth based musician, composer, songwriter, sound and performance artist whose practice is an interdisciplinary one that crosses over into film, video, performance and installation. Her work has taken her on numerous tours around Australia, the USA, Japan and Europe. Her recordings are distributed and published worldwide, and she has written soundscapes for dance and theatre companies as well as commissions for film and pure music works.

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