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Upcoming shows that feature audible women, ideas, thoughts… whatever.

If you’d like to submit an event you can send details to Or if you’d like to contribute regularly I can add you as a user.

International Women’s Day 2018: Audible Women on Ears Have Ears FBi Radio

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The lovely people at Ears Have Ears asked for an Audible Women mix to celebration International Women’s Day 2018.
You can stream it here
Jean Reiki (Singapore) – We Have Experiments
EP Whimsy, 2016
Sofía Bertomeu Hojberg (Spain) – Trouver Moyen
single, 2018
GEORGIASWEBB (Syd, Aus) – Amunn
single, 2017,  from upcoming album Mibo
Alexandra Spence (Syd, Aus) – Sleep in nothingness
composed for performance at the Guimet Museum in Paris on Feb 03 2018, curated by the French label Tsuku Boshi.
Mondo Flockard (Melb, Aus) – new age tape bath
EP Mondo Flockard, Tone List, 2016

Spotlight on Audible Women – ABC Radio’s Soundproof

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Thanks to Miyuki Jokiranta and the wonderful producers at Soundproof on ABC’s Radio National, Audible Women founder, Gail Priest was asked to curate a selection of Audible Women from the directory for a Spotlight program.

It was aired on Aug 12 (9pm) and Aug 14 (8pm) and is streamable for the following month.

Check it here:

Featuring works by
Amanda Stewart
Nat Grant
Riz Maslen (Neotropic)
Camilla Hannan
Kate Carr


Tidal ~ Signal (Vancouver)

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Tidal ~ Signal  (Vancouver)

A new festival of exploratory music and sound, Tidal ~ Signal aims to highlight women, transgender, genderqueer and intergender artists working in left-field genres. The inaugural Tidal ~ Signal will feature an array of musics, encompassing noise, ambient, electronic, drone, experimental techno, improvised, sound and performance art. The line up features Kiran Bhumber + Norah Lorway, Sara Gold + Emily Thacker, Jouisseur, Sasha Mannequin, Brady Marks, mási + marina, Mass Marriage, Opponent Processes, Orcana & prOphecy sun.

Co-curated by Rebecca Bruton & Alexandra Spence. July 30th and 31st, 7.30pm till late at Selectors Records, 8 E Pender St, Vancouver, BC V6A 3V6.


Or $10-15 sliding scale on the door

*space will be limited – advance tix strongly recommended!


For more info:

Pretty Gritty #13: August 23, Sydney

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An excellent selection of audible women in the next Pretty Gritty.

August 23
choose your own epiphany

Clare Cooper
Kusum Normoyle
Luke Jaaniste
(Nicola Morton, Nick Dan, Matt Earle & Anthony Guerra)

107 Projects
107 Redfern St, Redfern

Audible Women on Ears Have Ears

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Ears have Ears is a most excellent radio program on Sydney’s FBi run by two most excellent audible women Brooke Olsen & Scarlett di Maio (who are still to submit entries!).

They’ve invited me to put together a mix reflecting Audible Women and so I’ve selected works by 5 women who’s music I either didn’t know or got to know a bit better through this project: Eves, Terrine, Nat Grant, Alma Laprida and Jannah Quill.

It will play sometime after 9pm (Sydney time), July 23 and can be streamed or listened to on demand.

They also have an excellent archive of experimental music, often commissioned  for the program so check it out!


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Presented by Tura New Music and PICA as part of Tura New Music’s 2015 Scale Variable Series.

Gesture is a collection of works for two percussionists that examine physicality and gesture in the context of contemporary percussion music. A diverse and surprising array of sounds ranging from drums and gongs to AM radios and sheets of metal and paper is explored using movement inspired by conducting patterns, drawing methods and spatialised instrumentation. Gesture will include premieres of three new works composed for The Sound Collectors by Australian composers Rob Davidson, Cat Hope and Lindsay Vickery, alongside works by Holly Harrison, Thierry de Mey and Mark Applebaum.

The Sound Collectors are Louise Devenish (WA) and Leah Scholes (VIC). Formed in 2012 to create a platform to explore a shared interest in percussion theatre, The Sound Collectors delight in music that explores the use of text, gesture and human physicality with percussion. These explorations have resulted in a collaboration with Melbourne fashion designer New Model Beauty Queen, residencies at Perth Institute of Contemporary Arts and commissions from international composers including Mark Applebaum, Cat Hope, Lachlan Skipworth, Michael Askill, Elise Reitze and Robert Davidson. The Sound Collectors are champions of Australian music, and every performance features new works by local colleagues.

Ladyz in Noyz Australian Tour

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Ladyz in Noyz Australian Tour

The Ladyz in Noyz Australia national tour will see a group of female sound, noise and experimental artists perform, host workshops and panel discussions as well as launch Ladyz in Noyz Australia Vol. I & II, a comprehensive 2-disc compilation.

They are currently raising money for the tour via a gofundme campaign.

Artists involved in the tour are Caroline Connors, Cat Hope, Edwina Stevens, Emma Albury, Elise Bishop, Dimitra Bucolo, Fjorn Butler, Harriet Morgan, Kusum Normoyle, Laura Altman, Maya-Victoria Kjellstrand, Rosalind Hall, Sharryn Koppens, Lara Soulio and Marlo De Lara.

Check it here!

Mishearings – Jo Burzynska

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Jo Burzynska
 4 – 28 June 2015

The Auricle, Christchurch, New Zealand

“The ear subtly and actively connives to make what it takes to be sense out of what it hears, by lifting signals clear from noise, or recoding noise as signal… Perhaps, in this sense, all hearing is mishearing, and a kind of deterrence of sound.” Steven Connor, Earslips: Of Mishearings and Mondegreens

In Mishearings sounds are often not as they seem. In Jo Burzynska’s multisensory exhibition of sound-based installations employing auditory illusions, what is heard is manipulated or interacts with other sensory stimuli in a way that alters or intensifies the listener’s perceptions.

Jo Burzynska draws both on her own studies on the intersections between sound and taste, and current psychological research into crossmodal correspondences, which highlight the powerful influence the senses can have over each other. All the works in Mishearings harness multiple sense modalities to create experiences that function on sensorial, emotional and conceptual levels.

In Hearing Lips and Seeing Voices Burzynska presents an audio-visual poem that can be perceived in three ways that offer up very different meanings. This uses the “McGurk Effect”, an illusion that occurs when the auditory component of one word is paired with the visual component of another, leading the viewer to perceive a third different word.

Bittersweet is a work for 8 speakers and chocolate. Using field recordings made in Irpinia, Italy, the soundscape cycles between the low drones of modern equipment in the region’s wineries and the high pitched, traditional bells of dairy cows in its mountains. The fluctuations between pitch change the perception of the chocolate’s taste from bitter to sweet.

The brain’s ability to construct meaning through noise is harnessed in Poetry as I need it, an exploration of sound, silence, form and time using John Cage’s Lecture on Nothing. And all the senses entwine in Carbonic oscillation, a chamber offering a multisensory experience of effervescence, which participants are encouraged to experience with a glass of sparkling wine.

Burzynska will also be hosting a series of multisensory events over the month of the exhi-bition:

Thursday 4 June (6pm) – Opening event: featuring Carbonic Oscillation in the bar
Saturday 13 June – Oenosthesia III: artist talk and live sound and wine performance
Sunday 14 June – Wine and music matching workshop at the New Zealand Boutique Wine Festival, Auckland
Friday 19 June – Wine and music matching workshop
Saturday 27 June – Sensation: a multisensory dining experience: collaboration between Burzynska, chef, Alex Davies (Shop Eight) and visual artist, Toshi Endo

Jo Burzynska – who also records and performs under the name Stanier Black-Five – is a Lyttelton-based sound artist and wine writer whose work in these areas has increasingly converged in the production of multisensory art. Regularly combining sound and taste, her installations and performances are largely created from her own environmental recordings. She is also wine editor and columnist for the New Zealand Herald’s Viva magazine, and author of Wine Class: All you need to know about wine in New Zealand (Random House).

Amazing Women 2

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The second in the series of concerts examining the contributions of female composers today. This concert will feature works by Helen Gifford, Hildegard von Bingen, Vanessa Tomlinson, Elena Kats-Chernin, Kaaja Saariaho, Annie Hui-Ssin Hsieh, Meaghan Burke and Rebecca Clark. Performed by Grinberg/Viney Duo, Early Warning System, Kim Cunio, Graeme Jennings, Vanessa Tomlinson, Jodie Rottle and Phoebe Green. 60 minutes of new ideas in music.

Fri April 24, 2015
Queensland Conservatorium Griffith University
140 Grey Street, South Brisbane, Queensland 4101

Decibel’s After Julia at PICA

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Tura New Music and the Perth Institute of Contemporary Arts presents

After Julia performed by Decibel New Music Ensemble, a concert of eight contemporary works by Australian women composers responding to Julia Gillard’s tenure as Australian Prime Minster.

Featuring compositions by:
Michaela Davies, Andrée Greenwell, Cat Hope, Cathy Milliken, Kate Moore, Gail Priest, Thembi Soddell & Laura Jane Lowther

For more info on Decibel Ensemble and the After Julia program visit

Monday 20th April, 7.30pm
Perth Institute of Contemporary Arts